![]() Essentially, no two recording situations are identical and each requires a discerning ear and eye. If you want to make great recordings, regardless of the recording space and equipment you are working with, you will have to learn something that is more fundamental. When problems arise, it is often easier to blame the studio, available mic selection, recording console or the recording space. During that time, allegiances to different pieces of gear will come and go and solutions will be based mostly on experience. In reality, it usually takes years to become great at recording music. Many work through the problems that arise with intuition rather than taking the time to really understand what lies underneath all the technical choices they make. Many have only worked in professionally treated acoustic spaces designed for recording and can often forget that their audience is not working in the same conditions. It's the information you don't often get because most are not keenly aware of its existence. The acoustics of the recording space and the quality of the musician will define the sound of the recording more than any mic technique or processing chain ever will.īehind the techniques lies the real foundation of making great recordings. What is less often talked about are the fundamentals that underly those techniques and choices. There is loads of information on miking techniques, what microphones and preamps to use, and how to process them. ![]() ![]() The art of recording music is filled with information that is mostly technical. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |